X-Men: Battle of the Atom #1
Review by Paul Steven Brown
Writer: Brian Michael Bendis
Art: Frank Cho w/ Stuart Immonen & Wade Von Grawbadger
Colorist: Marte Garcia
Lettering: Joe Caramagna
Cover Art: Art Adams
Another year... another X-Men crossover event. To be fair,
last year's Avengers vs. X-Men was considered a company-wide crossover, but it
certainly leaned heavy on mutant mythos and had rather large implications for
the X-Men franchise. While that event and 2011's Schism shook things up for the
mutant universe, Battle of the Atom seems, at least at the beginning, a far
more subtle approach.
Though Battle of the Atom continues the tradition of linking
chapters through four different ongoing series (plus two book end issues),
Marvel has dialed the exercise down to a two month program; fairly digestible
and quick, comparably. This could help avoid those place-holding second month
of the event issues that usually kill the momentum of some recent event such as
Second Coming.
For the most part, X-Men: Battle for the Atom #1 reads like
a regular issue of All New X-Men. This is understandable, given that Brian
Bendis, the writer of that series (as well as Uncanny X-Men) is steering the
script here. This isn't a problem for me, given that I have been mostly pleased
(in some cases very pleased) with his work on All New and Uncanny. If you've
enjoyed his recent work with the mutants, you will more than likely continue to
with this opening chapter.
I don't want to get to heavy into plot points - not that any
huge moments happen; however, there is one moment that may garner some
attention. Particularly, if you have your own set beliefs on how time travel
works. We're talking Butterfly Effect vs. Hugh Everett III territory.
Personally, I'm in the camp with E's dad and Schrodinger's Cat, but your
mileage may vary. I bring this up because Marvel's handling of the implications
of time travel has been wonky as of late (especially given the fact there
should be two Logans and Sue Storms running around given the unfolding of Age
of Ultron). I'll just have to see how this one plays out.
The art is supplied mostly by Frank Cho (Stuart Immonen is
called in to finish the last four or so pages, but their styles aren't too
dissimilar and will probably go unnoticed by most readers). As per usual, Cho
draws facial expressions superbly and handles the action sequences reasonably
well. Now we get to look forward to new artist per chapter, but that usually
doesn't bother me, if kept contained to one artist per issue.
X-Men: Battle of the Atom #1 doesn't kick open the door with
dynamic flash. It certainly doesn't seem geared at attracting new readers. This
just feels like the start of an interesting X-Men story that just happens to be
crossing over through four separate series. I just hope that my interest will
be sustained through the remaining nine chapters.
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